Here I explore Hindolam with the wonderful, challenging and exacting techniques of Veena S. Balachander. The long Meends pulled from Ma all the way up to Sa allow for great continuity and impart not just the gaayaki style (vocal style) but also induces the gayakai intensity (the depth and range of vocal music). The link to youtube for this piece is:

Also, I have started a homage series to the most versatile Vainika, Veena S. Balachander. You can find these as well from the above link.

All comments are valued deeply.

Kind regards,

Gopal